The Ken Burns Effect

The film aired a few months ago on PBS about the personal experiences of soldiers who fought in WWII and veterans that have passed. The seven-part series, 14 hours in total, is already considered a preeminent educational tool to learning about World War Two.When Ken Burns was in Albany over the summer chatting with Marianne Potter, host of InSight on WMHT, I was unfortunately, unable to be a part of that production. So, when I heard that one of my favorite bookstores, The Northshire Bookstore in Manchester, Vermont, was holding an event at The Equinox I gathered my gear in hopes of meeting the legend.
True to form, Burns was eloquent, passionate and downright guileless describing the thousands of miles of horrific footage he had to sift and scrutinize through to accurately tell the story. A full-house of veterans, students, history buffs and a few cinematographers (including me) sat spellbound at some of the crippling stories he recited by men who soldiered the front lines in the 1940’s. Burn’s soft-spoken voice somehow amplified his insightful observations on history and human drama and as to why he tackled such a huge subject, he said “the knowledge that our fathers were dying… and an unacceptably large number of graduating high school seniors think we fought with the Germans against the Russians in the second world war… well, we could no longer avoid it”. He continued by saying, “seven years ago we committed ourselves to this film series and companion book. It was a massive project that utterly transformed everyone who worked on it. Taking on any war is risky but taking on the biggest of them all is obviously fraught with peril. No book or film series, however long can reflect the whole story”.
His most notable productions are The Civil War, Baseball, Jazz and now The War, but he’s been making films since 1976. It’s writers like Burns that are helping me hone my own producing, lighting and shooting skills. His masterpieces speak volumes about the intricate mixing of music with video and photographs to capture the emotion of a subject.
When I asked him to sign my book, as expected, I clammed up and lost my voice. I practiced gushing remarks about this man’s lifetime achievements the entire car ride up but all I could muster was a smile and quick thank you. Seems that the ‘Ken Burns Effect’ on blond wanna-be documentary producers is more pious than meeting the Pope.